Charlene Baldridge Photo by Ken Howard |
No Longer in the Pink
ion theatre's
Airline Highway
at 10th Avenue Arts Center
at 10th Avenue Arts Center
Opening night, Sunday, Aug. 14
Miss Ruby reigned over New Orleans’ faded Hummingbird Hotel in
its heyday, long past. When the building's color was still pink, she held sway over its
sundry residents as well, dispensing love and advice. Now she is nearing death, and even though she doesn’t really remember doing so, she’s asked the residents
to hold her funeral before she dies so she can enjoy it.
In various states of existential extremis, the current residents have
asked the former residents to join in. The entire first act is devoted to
gathering cold cuts, beer, paper plates, and chips, and to gossiping. For
instance it’s rumored that former resident Bait Boy (Richard Johnson) is coming
from Atlanta. He does indeed, with a 16-year-old named Zoe (high school junior
Natasha Partnoy) in tow. He's changed hs name to Greg now as an indicator of his success.
Zoe, a bright girl and a good student at her Atlanta high school, is doing a project about
subcultures and has identified the residents of the Hummingbird as her subjects.
She is so refreshingly naïve she doesn’t realize these people are all fading
strippers, prostitutes, recovering drug addicts, and con men, and that her friend Greg is merely a con
man too.
Kevane La’Marr Coleman plays the part of Sissy Na Na, the adorable, indefatigable transvestite that cares for the long unseen Miss Ruby (Elaine Litton). Glenn
Paris portrays the building manager, and Rhys Greene, his chain-smoking handyman.
Important others are Krista (Dana Fares), Tanya (Beverly Baker), and a resident
poet on a bicycle named Francis (Tim West).
There is definitely a culture here, even though it is sub.
The playwright and the preaching of Miss Ruby seek to convince us that every
human life, no matter how sub, is worthwhile (Yep, I get that), and that there is
a supportive fellowship for all, and furthermore, we should care for this play;
but I was, at length, unconvinced, caring human though I am, beset by too much
cigarette smoke (I don’t care if they’re herbal and non-tobacco!) and too many
words. It was real stinky, baby, and my eyes still smart.
Richard Johnson romances his former flame, played by Dana Fares with Glenn Paris in the background Photos by Daren Scott |
Company members aloft with Rhys Green and Fares in foreground |
Director Claudio Raygoza’s scenic and sound designs are
excellent, with a plundered, broken-down automobile on stage. The play is performed in
clear cinematic “takes," lighted by Karen Filijan. There's even a plundered-for-parts red clunker parked in one of the empty slots in front of the two-level Hummingbird.
The subculture clothing is
created by costume designer Janet Turner Pitcher, and Michael Mizerany provides
a bit of celebratory choreographer for the girls’ number, “Oh, Daddy, Love Me
Good.” Braulio Fernandez, Jose Galvan, Steve McLaughlin, Leo Slocum, Nicole
Sollazzo, Andrew Stone, Tomia Taylor, and Kaitlin Williams play hordes of
former denizens. God bless them all.
By the way, The Tenth Avenue Arts Center has never looked so
good.
Airline Highway
Directed by Claudio Raygoza
7pm Wednesdays; 8pm Thursdays-Saturdays; 2pm Sundays through
September 3 at Tenth Avenue Arts Center,
930 10th Ave. (Just south of Broadway)
$32 with discounts for seniors, military, students and
groups.
www.iontheatre.com
or 619-600-5020.
I was totally Unconvinced as well.
ReplyDeleteSo happy I'm not alone with my smarting eyes and reeking dress.
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